columns that aren’t
columns that aren’t
no matter what the academy has chosen, this is tonight’s best picture.
STAR TREK: INTO DAT ASS
Leo & Anger: Loud and Dramatic
I WISH I COULD EXPRESS TO YOU HOW HARD I AM LAUGHING AT THIS AND I CAN’T STOP OH GOD HELP MEEEEEE LSDKFJLDSKJFLKDSJFAHAHAHAHAHAAHHAHAAHAAHAHAHADYYYYING/GROSSSOBBING/LAUGHING/SNORTING
I’m fucking done with the entire internet
I SLAMMED MY HEAD ON MY KEYBOARD AND BROKE DOWND LAUGHTIKNG
I’M CHOKING OMFG
i’m so done with every single one of you
WHEREDOTHEYSELLTHOSE?! I need them so bad. This is absolutely perfect.
They sell them at Target
This is a fantastic idea.
Raging pharmacology boner.
Bonus points for being single chemical pills.
you should check out their website! http://www.helpineedhelp.com
If you think that packaging is brill, wait until you see the site.
This company is a marketer’s wet dream.
That website is fantastic. Seriously, click on it and check out the whole site. Best waste of time EVER.
Thank you, Jimmy Fallon.
Last night, while watching Benedict on Late Night with Jimmy Fallon, Jimmy started talking about #letsdrawsherlock, and I was immediately wary. I’m sure any fan watching was expecting a repeat of the Graham Norton fiasco, where Norton pulled out explicit Johnlock fanart to show Martin on the show, clearly making fun of the art, the artists, and the ship.
Instead, Jimmy was nothing but respectful and impressed with the fanartists’ talent. As you can see in these caps, that’s even the title of Benedict’s segment on Fallon’s website - “Benedict Cumberbatch Has Talented Fans.” Let’s count the things Jimmy Fallon did right that are in direct opposition to what Norton did wrong:
- He chose art that would be easily recognized as “good” by non-fans. This isn’t to say that the art Norton showed was bad, but there is a lot of fanart that is less technically skilled because, well, it’s done by non-professionals who are still honing their craft. Other fans appreciate it because we understand the intent and emotion that went into it and often watch artists develop over time, but a non-fan mainstream audience might not see anything special. Jimmy chose pieces that are technically awesome - he put fanart’s best face forward, so to speak. Nobody can use the technical skill as something to laugh at here.
- He kept shipping out of it. I ship johnlock as hard as anyone, but a non-fan mainstream audience doesn’t understand ships, much less slash. Regardless of the fact that there are some technically awesome and beautiful johnlock works in Let’s Draw Sherlock, much of Jimmy’s audience would laugh at them instead of appreciate their beauty. Again, Jimmy is specifically avoiding works that would be easily laughed at.
- He showers them with praise. They’re awesome, the fans are great and talented. Not once does he encourage either the studio or home audience to laugh at either the art or the artist. He is impressed, he wants his audience to be impressed. The studio audience responds in kind - they seem to come into it expecting to see things to laugh at, but are startled and a bit quiet when Jimmy pulls out the Van Gogh. They do laugh with Rosie, since that one clearly has a bit of humor in it. And they cheer for King Tut.
This is how you present fan art on your show respectfully. There was still a little humor with Rosie, it didn’t get overly serious. The studio (and likely home) audience were clearly entertained. Benedict wasn’t embarrassed. Hopefully the artists are pleased with how their art was presented (I haven’t seen anything from any of them).
I’ve often been lukewarm on Jimmy Fallon, but this earned him a new fan.
The first step towards healing is acceptance.
this is me saying jugenmujugenmugokonosurikekaijarisugemosugematsuunraimatsufuraimatsukurunetokoronisuremotokoroyaburakoujinoburakoujipaipopaipopaiponoshuringashuringanogurindaigurindaigurindainoponpokupiponpokunanochoukyuumeinochousuke
1 note = 1 pixel for your fandom’s symbol (shown above) in an art piece I’m making
If you would like to see all of the fandoms, look through these posts
IF YOU DON’T SEE YOUR FANDOM, send me a message saying what fandoms I missed and I’ll add them
If you would like to know more about the project, read this post
FOLLOW ME TO KEEP UPDATED ON THE PROJECT/SEE THE FINISHED PROJECT
LITERALLY JUST SPAT OUT MY FUCKING SOUP
You know what though
Jim’s little diguises - Rich Brook and Jim from IT - have one thing in common:
They’re both total sweethearts.
They both have a gentle demeanor and seem to care about the women they’re fooling. They’re both anxious around Sherlock. They’re both inoffensive and fuckingadorableohmygod.
They both have a heart.
No one is that good of an actor. The one thing you can’t fake is a heart.
If he was heartless, Molly would be dead. She saw Jim’s face, she was a liability. Why didn’t he kill her? He’d heard all Molly’s stories, he knew she was important to Sherlock, if only a little, so why didn’t he kill her? Why didn’t he threaten her with the gunmen during Reichenbach?
I’ll tell you why. Because Molly is lovely and he cared about her. He purposely excluded her from the threat because he didn’t want to hurt her.
Even during their first meeting at the pool, Jim showed an unusual lack of self restraint “THAT’S WHAT PEOPLE DO!”. His face wasn’t blank, it wasn’t a pokerface like Sherlock’s. He was expressive. He was emotive. He was human. Jim has a heart.
I think that on the roof during Reichenbach, Sherlock realised this. He realised that Jim wasn’t acting.
He realised what Jim really wanted: to not be alone; to find someone just like himself; to find someone not-ordinary. Most of all, he wanted that person to be Sherlock.
Sherlock saw the level of frustration and disappointment and, let’s be honest, sadness on Jim’s face when he thought Sherlock was stupid and ordinary, and when he thought Sherlock would jump to save his friends.
That’s how he beat Jim.
The way he asserts himself on Jim, moving right up into his personal space. Think about it. He never does that. He’s attacked people, usually in self defence, but never anything quite so personal, quite so intimidating.
He’s risking John’s life by doing this. He’s risking the lives of all his friends and he doesn’t care. In those moments, Jim is his primary focus.
But then, listen to his voice, listen to the things he is saying.
Ordinary people have hurt Jim, there’s no doubt about that.
Sherlock is telling Jim that he isn’t ‘one of them’. He isn’t ordinary.
Sherlock isn’t being cruel, he’s being gentle.
We’re just alike, you and I.
And they are just alike, apart from that one little thing that they don’t have in common:
Sherlock is the good guy who doesn’t have a heart, and it’s his biggest weakness.
Jim is the bad guy who does have a heart, and it’s his greatest tragedy.